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Trust
Trust is something I've been thinking about lately and wanted to get some input from others on this. Specifically the trust involved in the Model/Photographer relationship and how that differs from personal relationships. I'm referring most specifically to art photographers who's work involves nudity. It would seem that a great deal of trust is needed on the part of the model to participate in this sort of endeavor. First she must trust that the photographer will not attempt to hurt/rape/accost her in any way. She must also trust that he will not put her in physical danger during the shoot (something possible with my work in abandoned buildings). She also needs to trust that he will create images that will be beneficial/agreeable to the both of them and that he will not misuse those images (ie, selling it off to a porn site). This is what I would label as trust in an artist. What I want to know more about is, does that trust in the artist translate into trust in the person? Is there a sepratation of the two in your eyes? Would you trust them enough to tell them about your personal life? How about to hang out with them socially? Do you trust the photographer won't go home and masturbate to the pictures? Please discuss.... Apr 24 06 02:53 am Link the unfortunate part about dealing with photogs or models on the internet is that you have no idea of who they really are -obvious fact- trust is something that is very rare to have with someone you have never met before. for every one good guy/gal there are two shifty bastards waiting around the corner. i think it is a matter of instinct and self preservation that takes over rather than trust. if they look dodgy then instinctively you dont work with them. Apr 24 06 03:15 am Link Shane Perez wrote: Wow, it would make me feel pretty good to know that a photographer went home and j***ed off to my pics. Ooh, if only I could get it on tape...to be able to hear the grunting sounds...to hear him go "UHHHHHH!" LOL. Let me stop before this gets out of hand... Apr 24 06 03:17 am Link Tikeya wrote: So would you say your trust in them as an artist translated into trust in them as a person you would be friends with? Do you percieve a difference between the artist and the person? Apr 24 06 03:22 am Link Tikeya wrote: Well if you put it like that, then I'll just keep on truckin. Woah baby!!!! (I'm kidding). Apr 24 06 03:29 am Link Shane Perez wrote: Yes, with the photographers that I'm referring to, I had great instincts about them, and when I shot with them they were just as pleasant and well-mannered as I had imagined. They made me smile and feel at ease, and I like that a lot. The one photog. I chat with on AOL very often, and the other one I plan to hang out with on Friday. I'm not saying that I go to photo shoots with intentions of making a new friend (lol), but if the photographer and I get along that great, then yeah I might wind up with a new friend. Now I do want to point out that I would never use that friendship to try to get things from the photog. (such as TFCD shoots when he usually doesn't do them) for free. I don't take advantage of my friendship with people just so that they'll do me favors. Apr 24 06 03:52 am Link This is why you meet people first before working with them. It's called a "casting". And no - you can't separate trust of a person from trust of a person dealing with you in a "professional" capacity. JAY carreon PHOTOGRAPHER Apr 24 06 04:40 am Link There is a different level of communication one person to another no matter the type of relationship. But one of professional dealings should be just that. What they do outside of your presence is of no concern unless it desecrates the relationship. As for imaging outside the scope of the agreement, it helps to have sincerity between the two. Apr 24 06 05:19 am Link Tikeya wrote: You sound (read) like a pretty amazing woman. You have a great attitude. Apr 24 06 06:01 am Link This is a very interesting topic - I have to honestly say, I've not ever thought about it. I shoot nude figure so often, it is a purely professional endeavour - going to work - more than anything else. And while I've become aqcuainted with models, I've never hung with any of them socially - aside from having lunch or dinner during the shoot or meeting to discuss a shoot or review images - and I've not ever popped to my own shots! So for me, I think this level of trust is the same that I extend to my doctor, my CPA. I suppose you could call it "professional trust" or something like that. I've had friends model for me and I suppose that's where things could be different. However, most of my friends that have modeled for me were already long time friends and quite close. In fact, one former "friend" model was my studio assistant when I worked in another city. After assisting on several nude figure projects, she said she wanted to model nude for me. I suppose if trust ever played a role in my shooting someone, that may have been it.....but it was never mentioned and as I said earlier, I've not ever thought about it. It was kind of funny - she was so accustomed to working in the studio, she basically assisted her own shoot! Incidentally, my sessions with her (there were several) were the only sessions where I worked alone with a "model." That's a "trust" thing right there, if there ever was one, at least for me. I never shoot a nude with an assistant on site. I can say I've not ever had a model say they decided to work or not work with me solely or specifically because of "trust" issues..... FWIW - Bill Ballard Blue Water Photography Savannah, GA [email protected] Apr 24 06 06:18 am Link I wrote a long response and then deleted it in favor of these two questions: 1.) How can you trust someone professionally if you are unable to trust them as a person? If you are able to answer the above question in the affirmative, please answer the question below as well. 2.) What came first? The chicken, or the egg? Apr 24 06 06:34 am Link Shane Perez wrote: this statement is a little unhealthy and stereo type for me. Apr 24 06 07:06 am Link When I was in the service there was a saying "Trust no one but your mother, and watch her real close." Apr 24 06 10:30 am Link Freeman Photography wrote: Answer to question 1.) I believe that it's possible if the nature of your interaction isn't personal. Apr 24 06 11:00 am Link Tikeya wrote: Actually, when it is out of hand, it does STOP. Apr 24 06 12:20 pm Link Freeman Photography wrote: This thread was pretty much spawned from a discussion I had with my girlfriend so I'll paraphrase her view: Apr 24 06 12:24 pm Link Very well said about the separation of the person and the artist! The Doctor analogy is a good one and I have made this myself to others in the past. A photographer shooting a nude model is no more sexual than a gynecologist or urologist examining a patient. When a model and photographer work together, it is like a parallel universe. There are emotions that resemble attraction, love, arousal, etc., but they are not the same. If anything, it is easier to experience photographer emotions when in a "civilian" role vs. the other way around. The trust that a model places in me is something I value. I have gone with models alone into remote areas a mile from the nearest road. It is instinctive not to attack them or touch them inappropriately, but being conscious of physical dangers requires more attention. Proper use of images is instinctive as well once I learned to avoid the temptation to post images too quickly, especially with models I know less well. The thought of using them for self-gratification is repulsive, kind of like if it were a family member. Apr 24 06 03:18 pm Link It's interesting, but I was just talking with one of my buddies at my day job about this very thing today. I do bondage shoots and I make it a point to mention to every model I ask to do a shoot that they can, in fact, bring an escort. I actually expect them to and it sometimes surprises me when they don't. Mind, I'm not a big guy by any means (5'7" and under 170 lbs), but I'm still occassionally taller than my models (some of whom are barely 5 foot!). It's also the factor that I'm tying them up and when I tie someone up, they usually have a helluva time getting out of it on their own. So what does it take for a woman to allow a guy she's never met before to tie her up while she's topless? Then again, trust does have to be a two way street. Some of the escorts these models bring are considerably bigger than me and at least one of them completely freaked me out. So one never knows. But there it is. I still get the occassional model who shows up by herself and has no problem whatsoever with me tying her up and taping her mouth. Apr 24 06 07:21 pm Link Trust nobody. Apr 24 06 07:46 pm Link BCI Photo wrote: Well, there's a cheery thought! Apr 24 06 07:51 pm Link Tape Her Up wrote: Trust them about as far as you can throw them. Apr 25 06 11:16 am Link ADG Photography wrote: Thanks. Apr 25 06 11:38 am Link In order to shoot nude with someone I have to trust that they will portray me in a good way- as in nothing distasteful. Some people I have shot with I have built a friendship with as well so I trust them- as in I can talk to them about things going on my life and get advice. You can trust someone as a professional, friend, or both. Apr 25 06 11:41 am Link Claire Elizabeth wrote: You hit the nail on the head. Trust is something that is earned. Many of the models that I've shot with have become friends. One model in particular became a "daughter like" friend and we got some fantastic shots together because we knew and trusted each other at both a friendship level and a professional level. Apr 25 06 01:19 pm Link Tikeya wrote: I am so in love with you. Apr 25 06 02:32 pm Link Shane Perez wrote: Having been around artists my whole life, I will say there have been 2 or 3 SERIOUS mistakes I have made by instinctively trusting someone whose artwork I found to be truly amazing. And I know that their art was one thing that kept me from 'seeing' all the other unrelated issues that they had. Apr 25 06 02:45 pm Link I always think about it in reverse - how can you appreciate art that is produced by a "bad" person... I can do this easily, the person is one entity and their art is another, keep them seperate. Just because a person is "bad" I cannot dismiss their art. What's even more fascinating is that the two are obviously connected. Like if Hitler had been accepted to art school... Case in point - I interviewed Tommy Lee Jones once and he was a big ol' dick. Not just to me, but to pretty much everyone. For a while, it was really hard for me to watch him on the screen without thinking "dick" - but the guy is a good actor (when he wants to be) and I eventually got over it... But back to the original post - I think in trusting the photographer, you have to be able to trust the person, trust sits there. Apr 25 06 02:53 pm Link Most of the girls I have shot put a great deal of personal trust in me. They share all kinds of things. Sometimes more than I want to know. I've turned into a big brother to some of them. As for using the pics for personal entertainment...hmmm...maybe if I had a better chair. Apr 25 06 02:54 pm Link I think that many photographers who question this is because they might take it personal if a model brings another with them, which may make them question themself. All honesty, I don't have a problem with a model bringing someone with them. The first time that we shoot or meet, I'd prefer that they do have someone with them. I thought about a couple of times when a model or two didn't bring anyone with them like they were originally going to. It kind of bothered me because, if this were my sister I'm not not letting her go by herself without knowing who this guy is. And it scares the hell out of me that women take the risk of getting snatched up or pushed into some crazy ass nut's car.. After we meet and do a couple of shoots, then I am cool with them not having anyone. I prefer that they didn't afterwards..But I do understand trust..I don't know why it's an issue that is being discussed. But if this is about someone who thinks that every man wants to bone them, then I can understand this. And it's somethong that turns me off. But like the poster said, this is a two way street. I care about my ass as much as that model. Which is why I want to meet in public because I'm not taking the risk of getting robbed or having to shoot someone over materalistic things. Apr 25 06 03:11 pm Link Vivus Denuo wrote: ***BLOWS A KISS VIVUS DENUO'S WAY*** Apr 25 06 11:44 pm Link Just think of me as your Uncle Don. You can trust me... - (Dirty) Uncle Don Apr 26 06 12:18 am Link when I was young, and still a church boy, there was a monk that always kept saying to me, to trust only my parents, no one else. so I didn't trust him either Apr 26 06 12:36 am Link ~Krista~ wrote: This is pretty much the core of what I was trying to discuss. I had previously pretty much equated good artwork with a good person, but I've come to realize through a few discussions that they are separate things. I'm not saying that there alot good artists that are bad people or vice versa, just observing that they are not directly correlated. Apr 26 06 01:35 am Link I apologise for my earlier trite answer. Here's how it really works for me: I spend a lot of time getting to know a model way before a shoot. I only shoot once or twice a month at the most and have the leisure to communicate with email, messaging and maybe one phone call. What we'll do is discussed, other models are referenced and contact info given so the model can, if she likes, talk to girls who know me. My work is portraiture of a sort and who the woman is must be shown even more than what she looks like. My work is very intimate. The photoshoot is very intimate, very personal. Obviously they wouldn't work without the models' trust. And also obviously, they do trust me - I filter out those that are jumpy early. Remember, this isn't a romance - there are no specific models that I simply must photograph - so I really can reject any that don't trust me and do that quite often. There must be a willingness on the part of the model to look at the evidence (multiple photoshoots with almost all my models, tags and comments by models I've worked with, the fact that I'm not locked up for some sex crime) and accept that I'm safe. Beyond safe, another issue of trust is that I will show the person in the best light, as a person and as a woman. This is again a function of simply looking at my photographs and deciding if those do that. Many will decide at that point that what I do isn't what they want and will drop out of the process. A part of this trust is that their pictures won't be used in a way they disapprove of. This is a matter of trust because there really isn't a way to tell up front except by the photographer's reputation and that rep is colored by what friends think of the whole thing and particular what boyfriends think of sharing intimacy. Summarized, there is physical trust and there is a trust that allows intimacy. It is the option of the model to decide if she can trust me based on my very public life and work. And it is my option to decide if that trust is enough to make the photoshoot work. And last night a girl I photographed last year messaged me calling me "Uncle Don" and we chatted for an hour. -Don Apr 26 06 08:43 am Link Shane Perez wrote: Not to be blunt, but that's extremely naive. Shane Perez wrote: I find it very hard to believe that very many people could take that approach to life. There are some, I won't disagree with that, but how many is "alot?" When I think through the people I know and ask which ones would have trouble distinguishing talent from trustworthiness, I can only come up with 2 or 3. Shane Perez wrote: Maybe you click quicker with people who share an interest in art, but that doesn't mean they're unable to separate the artist from the person. Perhaps you're not giving them enough credit. Apr 26 06 09:20 am Link Tikeya wrote: I'm concerned. Apr 26 06 09:27 am Link Nerlande wrote: I think Nerlande, you may be keeping thousands of young men happy! concerned? Apr 26 06 09:41 am Link I absolutely believe that you can trust a person's artistry without necessarily trusting them personally. I've met a few photographers whose work has greatly impressed me--but who have seemed weird, unsettling or like jerks in person. Those are the people I decide not to shoot with, or decide to shoot with just once and never contact again (depends on how strongly I feel about their art). Let's not forget that some of the world's greatest artworks have been produced by people who are either unstable or insufferable narcissists, or both. Apr 26 06 09:51 am Link I've read half of the responses & stopped. So, I'll just give my perspective. I make nude images almost exclusively. I choose my models carefully, and I encourage them to choose their photographers carefully, too -- I'm a big believer in checking references. The sad reality of the situation is that I am probably as old or older than the model's parents. With such an age gap, it is rare for us to develop good personal relationship, but it is always a joy when that does happen, and it does on occasion (I just got an e-mail from my favorite model who's spending her junior year in Germany -- my graduate degree was 5 years old when she was born). So, here's my attitude: comfort is very important to me, and I explicitly expect the model not to do anything that makes her uncomfortable. At the end of each sitting, it is my hope (and top priority) that the model leaves feeling respected & appreciated, and whether we make interesting pictures is of secondary importance. I strive to make the sitting fun, but it is work for both of us. During the sitting, we chat, but it varies about how personal we get during those discussion. Some models really don't want me to know anything personal about them -- in fact, if it weren't for the model release, I'm sure some models would prefer that I don't learn their real names. Others are more open & are willing to socialize a bit -- for the past two years, I've thrown parties for the local photographers & models, and each time, 50 folks showed up -- a great networking event. A few become close friends & close collaborators. So, to me, it's like this: there is a minimum level of trust necessary for us to work together. A few have become close friends. It was the same way when I worked as an engineer -- I didn't have to be close friends with my coworkers in order for us to be productive together & enjoy working together. Apr 26 06 11:07 am Link Tim Hammond wrote: Indeed. Which is why I don't share that view anymore. I would often be blinded by the beauty of the art, and in my head that would imply that the person who created it was an interesting/intelligent person. Many times it is true, but sometimes it is not. I've learned to separate the two concepts. Tim Hammond wrote: You'd be suprised. It seems that virtually none of the models I've worked with have ever checked up on references. Most of the time, the only real information they have is from talking to me and seeing my work. I find this especially strange, because many of my shoots are done in remote locations, occasionally without an assistant or anyone else around. Although it's not my preference I've had shoots arranged after one quick email and a phone call, within a day or two. Maybe it's because I *am* trustworthy and they're able to figure that out, but one would think they'd still attempt to check up on at least a few references, I know I would if I were a model. Apr 26 06 11:46 am Link |