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Amateur models who ask $$$ per hour.
i absolutely agree with you! i would never charge you to shoot any of my photo shots, considering that i am new to it. i love your pictures by the way. Jan 04 07 09:42 pm Link There's a very old joke: The old neighbor walks up to the kid's lemonade stand and looks at the sign saying, "Lemonde, $100 a glass." The neighbor tells the kid, "You won't sell many glasses of lemonade at $100 a glass." The kid looks at him like he's a fool. "I only have to sell ONE!" I suspect there is a bit of that kind of thought at work. Jan 04 07 09:48 pm Link They can ask, does not mean they will get it. When you sell your car, do you start with a higher asking price so you can be chewed down some? Jan 04 07 09:48 pm Link NC17 wrote: Oh, wow, somebody complimented the photographic skills of GWC's, if only by comparison. That's a first. Jan 04 07 09:50 pm Link on the one hand everyone has to eat, if it's a "trade for" i at least try to feed them and keep them comfortable, on the other hand the model should understand the difference in value and marketability of different kinds of nude images. what is frustrating to me is pricing for pornography being forced on other less profitable nude projects. i have gone to the mat with models over this issue and usually we come to a compromise. if you both want to work together badly enough you should be able to find a way to make it happen. if i have a budget, or a projected income, for or from a shoot, i have no problem flowing fair amounts to the models. their performance determines wether i will use them again. but experience counts, at least in their ability to negotiate. besides paying often spares you other drama that is often far more expensive than a reasonable rate. good luck, rich Jan 04 07 09:50 pm Link Iona Lynn wrote: ~~~~~daydreaming~~~~~~ Jan 04 07 09:50 pm Link A model's time is worth what the model feels it should be. My time is worth something too. My fee for my time can be just as arbitrary as anyone else's. If a model feels her time is worth $60 (or $100 or $200) an hour, then so is mine. If I am willing to waive my fee for my time (which is worth whatever I decide it should be) and the model is willing to do the same: TIME FOR PHOTOS! Simple... Jan 04 07 09:51 pm Link Luminos wrote: LOL! Jan 04 07 09:57 pm Link Alan from Aavian Prod wrote: Another thing to bear in mind is that for some amateurs (or I guess some pros, I know at least two pro photographers who make way more money than I do) if the model says she wants $200/hr, and they feel like shooting her, they literally do not care about $200/hr. They're just going to pay it. If I didn't have such an unpleasant financial situation, frankly, it wouldn't be anything to *me* to pay a grand or two in modeling fees a month just for fun, and I don't really make the big money. I *wouldn't,* but I easily could. Jan 04 07 09:58 pm Link The models who are here strictly for the money will find no shortage of GWCs with sufficient cash. They will get what they deserve: $$$ and a port full of crappy-to-mediocre motel-room nudes. Jan 04 07 10:03 pm Link Aaron S wrote: He he he... welcome to the neighborhood! Personally, I work it something like this... Jan 04 07 10:25 pm Link Patrick Shipstad wrote: Because they are called a "GWB" that is a Girl With Body Jan 04 07 10:31 pm Link Patrick Shipstad wrote: + Jan 04 07 10:47 pm Link Jan 04 07 10:51 pm Link Deal or No Deal.... That is the question... You want a deal then go for it... You don't ... well move on to the next case. Pic another model and vice versa... ::Chuckles:: Jan 05 07 02:03 am Link I've got to agree with the spirit of "A model can ask for X ammount and that won't mean they'll get it..." I've seen some very poor (i'm talking BADLY done, Cheap camera phone quality) portfolios, of some very beautiful models, and the model is asking for: NO LESS than $300 an hour, 2 hour minimum shoot, travel expenses paid, MUA and all outfits must be provided, etc.... And these are models who don't have any work to back up their demands. I have indeed politely suggested, to one of the models I'm referring to above, that she be a little more reasonable for X number of reasons. Her reaction. Absolute silence. But she did lower her fee, to $200 an hour. I GET that models might not work regularly. I GET that images can go across the world, that they can sell a book, poster, product... and make the photographer lots of bank. That once a nude is out there it can never be removed. That it's damn hard to hold still in some amazingly strange and complicated poses and setting. That a good model is worth her weight in gold... I Get that, I really do. But a model should EARN the money, with reputation, a good portfolio and one hell of a work ethic. I busted my ass for 7 years to be a PT. The idea that someone thinks that with no formal training, no contribution to the creative project, and no experience they can ask for such a large ammount of money per hour is.... absurd. My $0.02 Scorp Jan 05 07 06:08 pm Link ADGibson wrote: Ahh, but they do, and thus they continue to ask for that kind of money. I was OFFERED that kind of money when I first started out and didn't understand the business so well. GWC types capitalize on new model's ignorence (they don't know what they don't know... how could they!) and exploit that weakness to their benefit waving big dollar signs. If the models aren't smart then they fall into the trap and stay there. If they are smart, they realize that the photographers aren't that good, and move on trying to get to bigger and better things, that will benefit them in the long run, such as being selective about who they choose to shoot with and reasonable about their rates to attract "better buyers." Jan 05 07 06:33 pm Link PapaVic Photography wrote: Mmmm, don't be so quick to judge. There are those of us that are smart enough to get the good pics and still exploit the GWC's weaknesses all at once. GWC's are some of my main clientel, if their money is green, I might as well take it. However, I know where my goals lie and know how to define my own success. Jan 05 07 06:35 pm Link Vivus Denuo wrote: *laughs* People always seem to knock the GWCs... but I think they knock them for the wrong reasons. Really now, is someone that manages to get pretty girls naked and take pictures as often as he wants all that stupid? He even has the images to prove it, which last him a lifetime of jerking off. He knows enough to talk the talk well enough to seduce girls into getting what he wants before he moves on to the next model. These are often (though not always) the ones that you see with "credits" for models that they've shot with in their bios that are hundreds long. Jan 05 07 06:37 pm Link Herb Way wrote: Please don't! There are plenty of us that are quite something to contend with Jan 05 07 06:38 pm Link stonescorpion wrote: I understand where you are coming from but... Jan 05 07 06:52 pm Link Right on Tony... Some of use even take the game to the next level... And get paid hundreds of dollars an hour for shootng as well as posing... The real question is, will any of this matter in 100 years?... Jan 05 07 07:01 pm Link People can ask for what they want and thats why certain models will always remain amatuer models. Just like photographers who pay girls $300 to shoot portfolio images with them, thats ridiculous to me. To me that's just another GWC looking for nudies. Jan 05 07 07:04 pm Link 2020 Vision wrote: Are there more GWB's on the site, or GWC's? Jan 05 07 07:16 pm Link Say...anyone ever heard of the model or actor who was accidently discovered while serving tea in a coffee shop? It happens once in a while...rarely. What was it that turned the discovered on to the discoveree? Experience? Naw. It was their looks. You don't need experience if you have the right look. What is the right look? The 'right look' is in the eye of the beholder (discoverer) who has access to people with $bling-bling$. The beholder convinces these guys to go with that model and instant super model. Sorry, but that's how it works. Talent? Heck you can train 'talent' into people. Some are naturals and the public will see the talent in addition to the looks and they will be destined to greatness. Those in whom the talent training does not take will become a flash in the pan, vaguely remembered and once in a while getting high paying gigs. $100 a hour is NOT a high paying gig. I call that supplemental income. I've never gone 'out-of-pocket' to pay a model. I see a face I like, I contact my list of clients and see if anyone wants them, negotiate a price they are willing to pay me to put together a promo campaign for them, find out what the model wants or I can negotiate the model into accepting, and we have a gig. Other times, agencies or business clients come to me with a face they want me to shoot. They know my rates and what I charge. I've had models come to me wanting to TFP/TFCD. Telling the truth, after 24 years of shotting, I had never even heard of the term TFP/TFCD until I joined an internet modelling site. I had to ask what it was. The models ask me to TFP/TFCD to 'benefit' my portfolio and theirs. Huh? Should I take that as an insult? What's wrong with my portfolio? It is making me plenty of money. Heck, most businesses that hire me never even see my portfolio. They see me shooting, or get refered to me by other clients or see my business card. Besides, I am too busy to shoot for free. My t ime is worth money, not photos. Now, technically, in my opinion and experience, a photographer probably needs a much more varied portfolio than a model does. With my busy schedule and agencies' busy schedules and my clients' busy schedules if 5 to 10 photos has not convinced them, a hundred in not going to do the trick. What does a model mean when she says "I'll do TFP/TCFD only if it benefits my portfolio"? Heck, polaroids and snap shots will do a model fine. I need to see what your face and body looks like and sometimes if you can show proper emotion and poise. What more do I, as a photographer or agent need? To see the model in fancy clothes, astonishing settings and phtoshopped doohickery? The masterpiece of a great photo is the photographer's doing, not the model's. Acknowledging that the model's looks, talents and abilities help make a great photo, the model can still show me those things with a plain background, non-descript/non-distracting setting. Face facts...if a model wants me to see her, then let me be able to focus on her, not the artwork. Like what once happened when I worked at a graphic arts house/print shop. MOdel came in asking if any of our clients might have use for her. We looked at the portfolio and the owner of the shop said: "Wow, great photos! How can I get in touch with the photographer?" So, bottom line is...if y ou are a photographer who needs to produced those great images that will convince agencies to work with you, then you had better shell out the bucks to get someone with great looks and some talent to convey the emotion to give some 'snap' to the picture. ANd, if a photographer saves up his bucks to hire someone with a 'name', past or present, this helps the photographer because agencies then see that someone with a 'name' had confidence enough to use you. As a photographer, set your rate for shotting a portfolio of a model and stick to it. If a model knows what she is doing and has some type of intelligence about the industry, she will pay your price if you are good enough. SHe should pay your price and she should only pay it once. A model does not need a portfolio by ten different photographers. She needs a variety of shots done once a year by one photographer, then she should charge everyone else because, after all, unless she has a fetish about collecting photos of herself, she wants to make money and gain fame. Then, after you two have had your initial introductions, COLABORATE, DANG IT!!! If the model has paid you money for a portfolio and you see looks/talent there...ferchrissakes...PROMOTE HER to your clients. And vice-versa. So very few people make it to the big time, so it is about mutual sustenance. With collaboration, you ain't charging the model and the model ain't charging you. Both of yous is charging the client. Get it? Of course, there are those who are not interested in earning money and just want to see some booty. That's another story, another case. More power to them. If a model wants to pay a photographer to take her clothes off...well, nothing in the world will help her since one is born with common sense. However, if a photographers wants to pay a model to strip, well, that's the model's choice and I hope the money is well enjoyed. If the model strips for TFP/TFCD........................ Jan 05 07 07:27 pm Link *looks at post above* Ok, that is it. from now on D. Brian Nelson is in charge of shooting my entire portfolio one a year... *laughs maniacally* Jan 05 07 07:39 pm Link Iona Lynn wrote: So then I assume you have made enough in the last couple years to retire. Jan 05 07 07:42 pm Link jkmtyro wrote: Yep. But she wasn't charging $100 per cuppa. Jan 05 07 07:42 pm Link Luminos wrote: Maybe she was...in an L.A. Starbucks! Jan 05 07 07:49 pm Link jkmtyro wrote: *laughs* I have heard the SAME thing from the other side of the fence. Its quite insulting to have a photographer insist that I need better images for my port, and that I need his images for my port... as if I can't decide myself what will and will not benefit my own port... good grief!! Its quite insulting as I consider myself to be pretty darn successful. Six shoots in 11 days sounds pretty successful to me (it is a record, but still...) Jan 05 07 08:43 pm Link yes indeed newbies, ask what you want, stupidity knows no bounds. Jan 05 07 08:46 pm Link Patrick Shipstad wrote: I used to ask llama how much they charged for shoots, but I normally received over inflated rates. I hate to negotiate, if a llama say a price I either pay or say No thanks, Iâll find another llama. So I have now started to make my offers very clear Rene Vickers wrote: LOL, so what your saying is that I should always tell the llama she is the last one I called? Lmaoâ¦thanks for the tip. Herb Way wrote: I blame these guys for not only paying llamas their inflated rates, but then turning around and giving them a Photo CD full of every image taken at the shoot. I canât even count how many times I have contacted a llama for a paid shoot, and received a reply that they also required a photo CD of every images taken at the shootâ¦???? Like I said I donât negotiate â¦.What are they going to do with the images, anyway? The llama release I use when paying a llama strictly prohibits the llama from using the images at all. Because it has twoallbeefpattiesspecialsaucelettucecheesepicklesonionsonasesameseedbun. LOL, I have not laughed that hard in a while⦠Jan 06 07 07:51 pm Link I gotta jump into this one. I do this as a career. Plain and simple. GWCs and Photographers alike are willing to pay rates for llamas. We are willing to do something the photographer can't do on their own. If they were "Model" material, they wouldn't need subjects. Since many Photographers are in the business of taking pictures/images, there are llamas in the business of being the subject matter. If the photograher has an issue paying my rates as a llama, then they better find a way to impress me with their images and make it help me further my career. I know their photographer buddies will be impressed that they got good images. They might even sell them as prints, Online, or to a mag. This is business, not a hobby. Oh, why do photographers insist on charging llamas for Portfolio development? I have been quoted as much as $5000 by certain agencies/photographers to build one. Can they guarantee that i will see a return on that just because they took them? Malice Jan 06 07 08:02 pm Link Patrick Shipstad wrote: If people are willing to pay for it then I guess that is why they can ask that rate. Some people want consistent work and some people want the occassional big pay day. It's all a part of the market place. Jan 06 07 08:25 pm Link a lot of ass kissing..hilarious! Jan 06 07 08:32 pm Link Gabes Photography wrote: Thank you!! Finally someone that is to the point and knows how to actually put valuable information in an initial inquiry. Fishing for whatever it is that a photographer wants to do for a shoot after being contacted gets frustrating and tiring, especially when I don't have the time to waste. Jan 06 07 08:34 pm Link Monica Jay wrote: Hmmm... you are a llama? Jan 06 07 08:41 pm Link TFWampum? Jan 06 07 08:50 pm Link I'm a new llama, as new as it gets and I wouldn't DARE ask for pay, not atleast for another year. It would be more logical for a new llama to pay the photographer; unfortunately some llamas can't afford this so theres the wonderful TFP. I don't think that new llamas should be asking for money, but I guess after the photoshoot it would be cool if the photographer treated the llama to some pizza or something. :-P Jan 06 07 09:13 pm Link Its interesting to be a fly on the wall and poke a looksee into the GWC world of paid 'figure' llamaing. Its good to see our market system successfully: llamas that cannot compete commercially for day rates in the thousands able to make a happy living finding GWCs with money to spend in the hundreds. I say more power to the GWCs and the llamas they support, like NC17... Jan 06 07 09:14 pm Link |