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How to tell the real from the posers? A girl who wants to model asked me how she could tell when offers are from real photographers. Told her to search with Yahoo or whatever and she would find credits for real published fotogs. I looked myself and found searching for Avedon shows credits but many of those here who I know are real like Christian Behr, Eric Striffler, Shiree, Brian Nelson all come up with only internet clubs and their own blogs just like the amatures here. So how should she tell when someone promises her a cover? Nov 26 06 09:21 am Link My, unprofessional, understanding is that a professional photographer would not be walking up to an unknown, and potential risk for what is a professional venture with capital and reputation riding on it, and offer them the cover of anything.. For pro jobs.. Pros use pros.. And get them from agencies.. Nov 26 06 09:24 am Link Dick Pick? Wonder how that one slipped by the mods... Nov 26 06 09:26 am Link I just joined VogueAgent... photographers (and models for that matter) can be verified. It's a start Nov 26 06 09:26 am Link Promising a cover? Nov 26 06 09:26 am Link Promises a cover to an aspiring model eh? That old trick still working? Remember what your legs are for girl - block and run! Nov 26 06 09:28 am Link Except for art, hobby, and amatures you will never get an offer from a photographer. ALL PROFESSIONAL WORK will come from an agancy. Agencies hire models. Agencies hire photographers. Then they work together. The only true professional photographer that hires models are art photographers that work on getting their images in galleries and do not work for customers. Nov 26 06 09:30 am Link Any photographer that promises a cover, or "an editorial" or any other inducement to get a model to work with him other than good pictures is a scam at some level. (Obviously that does not apply to cases where the model is being paid for the shoot.) Nov 26 06 11:09 am Link Shadowscape Studio wrote: What you said is almost correct... but just to clarify, it's usually the magazine editor and/or art director that chooses what the cover will be. Nov 26 06 11:24 am Link If it's to good to be true it usually is! When I sell my photos to magazine, usualy it's for 1/4 or 1/2 layouts , on occasion I do need a model to pose for some photos, the pay isn't great so I do TFCD or TFP with the model, so far I haven't had any photos make the covers. When a photographer inquires about using you as a model for a shoot, ask him or her a lot of questions then go with your gut felling. Good luck Nov 26 06 11:31 am Link Shadowscape Studio wrote: I suppose that there is a sense in which I agree with this, but only a very limited sense. Nov 26 06 11:36 am Link Dick Pick wrote: IWICTYHFTPIAHYMMD! ROTFLMAOBT Nov 26 06 11:50 am Link TXPhotog wrote: In a magazine or newspaper, it is the photo editor or art director, who choses the photos to go along with the article. So when i'm contacted by a photo editor or art director to submit specific photos for their publication, I as a photographer don't know and don't have any control over which photos they will choose to publish, I as a photographer can not promise any model working with me that she will make the cover, because I have no say over which of my photo will be used where in the publication. Nov 26 06 12:08 pm Link Very simple really. If a photographer offers her testing, or TFP, a model should look at his book. If she wants shots of similar quality in her book she should shoot with him. I've seen a lot of outstanding photography on the net by amateurs who have never made a dollar from photography, and I've seen boat loads of sludge from the "professionals." Nov 26 06 12:37 pm Link Do you mean "professional" as in someone who makes their living at photography? Or do you mean "professional" as in behavior. The best way to figure it out is to ask lots of questions. I think I'm beginning to sound like a broken record saying this, but its the truth. Nothing else will protect you better. The more questions you can ask the more information you'll have at your finger tips. Thus it will be easier to recognize inconsistancies in behavior and/or "business" to know that you might be dealing with someone not worth investing time in. Nov 26 06 01:22 pm Link W.G. Rowland wrote: not always...a young fresh face is often more suitable than that of a jaded "pro" model. Nov 26 06 01:26 pm Link Im'age NY (INY) wrote: this site looks....slightly less than professional? Nov 26 06 04:31 pm Link While I'm sure some discoveries are made on the streets. The best rule is anything that sounds too good to be true....IS. In the good old days (lol), there was no net. Photographers might see someone, test with her and maybe recommend she check out an agency. I used to tell any aspiring models, to check the top agencies first. (this was in N.Y.C.) If they thought you were good enough, you might be in. Then smaller agencies (reputable ones) started up, like Click. So there was another place for them to check. I had some excellent Go-sees from some smaller agencies. I would tell the girls if they just wanted pretty pictures of themselves, then anyone who could show them good work, would probably be OK. As long as they don't think they are off to stardom. I just hated these guys who would show pictures of a girl they photographed, took money from and told them they could make it. Like some of the scams today. The mags usually picked the models or might give me a list and ask who I liked to work with the most. I never heard of an agency having much input on anything except fees and scheduling. Nov 26 06 04:56 pm Link I judge a photographer by his/her portfolio... by properly exposed images, or planned use of over or under exposed low/high lights, The use of the camera to create an image. and tnot the I'll fix it in photoshop. A wide range of both models and styles not just three girls with the same bored expression standing still. I have attended gallery shows of photographers who have had me on the walls. I have shot with low end newbies who picked up a camera two days ago. I don't care if all you have is an internet blog if your work is fantasic I'll work with you. Nov 26 06 05:07 pm Link In this day and age so much has changed........look at the music groups that have now cut albums with independant labels and have had a huge success from just posting their music on Myspace.......and define "cover" .......I've had the pleasure/privaledge to have shot over a dozen covers....... of the so called Electronic Magazines that exist now.......TRUE, no covers for FHM, Maxim, Playboy or Cosmo, but they were/are covers and I know of photographers, models, and editors, etc of those that still make money and are very successful from those.... To say someone is not doing professional photography because he's not using an agency, doesn't have a huge studio, or because he/she chooses to offer an ametuer the chance ....... is the same as saying that you're not truely a professional model unless you are signed with an agency as Ford or Elite ...... and being shot by Avedon, etc. Nov 26 06 05:33 pm Link TXPhotog wrote: Editorial Stock Photogr wrote: To a large extent you are both correct but there are still some, limited, exceptions. In my position as a photojournalist and feature writer I would sometimes make advance arrangements for some kind of feature and then engage a model to illustrate it. I have done it with travel and destination features; product features; events stories; and if the model has some particular relevance to the publication even "personality" features on the model themselves. Nov 26 06 07:00 pm Link studio36uk wrote: Yes it does. I didn't mean to suggest otherwise. Rather, I was taking issue with the notion that "the agency" hired the models. That's not what agencies do. Nov 26 06 07:10 pm Link TXPhotog wrote: And in my case I already had the work sold as well. So it wasn't just spec work like converting a "get the models naked" TFwhatever for the model into a paying job for me. Nov 26 06 07:13 pm Link Dick Pick wrote: That's really not a great method. Nowhere on the Reader's Digest site will I be credited for the illustration I sold them some years back. I am on the Black+White site (if you can even find that), but it's on a gif and not text, so it's not searchable. Besides, I'm an amateur not a professional, and only incidentally sell my photography. Nov 26 06 07:59 pm Link If she wants a good photographer she can ask a photographer for references. Most don't mind giving them up, unless they have something to hide. As long as he/she has references you should be okay. If it's someone claiming to be a big-name and/or famous photographer or says he has "connections" -- be wary. I'm sure there are a few photographers with connections, but I don't think they'd flaunt it or use it as bait for an unsuspecting "model". If he says he's done professional work, again, ask for references and tear sheets. Ask for the names he's worked with and you can call them up and find out, if you must. Nov 26 06 08:40 pm Link photofashion wrote: That still is all dependant on the definition of "pro" and "fresh young face" Nov 26 06 09:48 pm Link I consider myself a professional photographer even though I don't make my living at it right now. I hold an Associate of Science Degree in Photography. I still do commercial photography work on the side that brings in some money for more / updated equipment. Full page ad in LCGC magazine. Cover plus two articles in Stomp Fashion Magazine. Product Catalog for Pneutronics Division. Upcoming product shoot for Parker Hannifin, etc. I have worked as a Real Estate Photographer in South Florida 3 years and a Military Photographer in the Bahamas for 3 years. I have only been working seriously with models for the past 2 years. I am heading in the direction of Glamour, Lingerie, and Artistic Nudes. I will help out new models with headshots and more normal pix and I hope these models can help me out with some practice in the areas that I am interested in. I use a 10,000 square foot studio. (www.CFNAP.com) That there is always at least 1 other person there that is running the place. So escorts are not a problem. I don't have a problem with escorts. However, if they interfere with the shoot, they get asked to leave and come back when the shoot is over. If they don't want to leave or they do something uncalled for the shoot is ended. Dave Mullins Nashua, New Hampshire Nov 27 06 04:59 am Link Advise her to look at the work and decide if she wants to be photographed in a similar fashion. There are many great photographers who don't make their living from photography. Professional doesn't always mean paid. Professional is how someone acts or conducts themself. References are also something to ask for. Nov 27 06 05:14 am Link Im'age NY (INY) wrote: Couture Imagery wrote: Not sure which one you were looking at, but these two don't inspire confidence! Nov 27 06 09:36 am Link Oh, I'd LOVE it if people simply checked me out by Googling my name instead oc checking my references. There's a REALLY famous photographer in England with the same name as me who shoots worldwide & works with several big agencies & has shot numerous covers, so if a model searches my name they'll likely think I'm him LOL. Check references & quality of work. Nov 27 06 09:46 am Link wanna find the real pros. go to www.lebook.com and then click on "La Creative". You will find all famous ad campaigns and names of great photographers. Nov 27 06 09:46 am Link Curt Burgess wrote: Oh CHARMING, it looks like a serious pyramid scam "Sign people up and collect a portion of their fees for life" and faux-agency scam "All photographers who become members are considered 'agents' and will receive regular fees for models whose portfolios they fill" etc etc Nov 27 06 09:48 am Link W.G. Rowland wrote: ill walk up to an unknown if the look fits what im looking for ill walk up to anyone anywhere anytime...accept weddings and funerals Nov 27 06 09:50 am Link Dick Pick wrote: the suggestion of determining one's professional status based on an internet search is about the worst advice one could give. if you don't understand why that is true then you have no business giving any advice at all. Nov 27 06 10:01 am Link TXPhotog wrote: Not totally true, I work with a photographer that gets to pick models for some of his lifestyle covers, granted they are not vogue, but he shoots them to get his artists some tears, its in print monthly and in Barnes and Nobles, I know he has randomely used some model/actress that has fit his criteria. http://lifescapemag.com/includes/thumbn … &height=80 that was the cover, sorry it was two months ago so I could not find a larger version, but here is the magazine, he shoots covers every month and mostly uses models he knows. www.lifescapemag.com Nov 27 06 10:11 am Link FaceReality wrote: LOL..... You can't do that with me, either, for the simple reason that I do photography alone under the Studio36 name but write, and do the photography to support that activity, under a different name... and occasionally for investigative reportage use a completely fictitious name for both by-line and photo credit. But that's just me and in my particular circumstances. Nov 27 06 11:40 am Link According to everyone's ridiculous claims in the Shoutbox, any photographer who gets paid is a "professional". Nov 27 06 12:49 pm Link Shadowscape Studio wrote: Anytime someone uses the terms 'all' or 'allways' or 'never', you have to be very careful of the source. Nov 27 06 01:47 pm Link W.G. Rowland wrote: So many times I've seen huge commercial photographers use friends and relatives in commercial and portfolio ventures. James B. Wood is an example of that. He's known for his huge sets and Wells Fargo Bank campaigns. Nov 27 06 03:04 pm Link Im'age NY (INY) wrote: Couture Imagery wrote: Curt Burgess wrote: How can you verify a photographer from an 'agent' that can't be verified??? Nov 27 06 03:28 pm Link |