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Photographers getting all the credit
For collaborative projects where the model, MUA or wardrobe stylist came up with the idea. C'mon folks, here on the higher realm where I operate, collaboration is the greatest thing to happen, and everyone contributes. More people need to realize that. Great models do more than pose. They give ideas, etc. Great MUA's and wardrobe stylists are the same way. There is more than one time I have had to direct a shoot and change the lighting (especially for paid shoots) because I knew more about the photography than the photographer.....does that mean I list myself as artistic director as well as model? The arrogance of some (mostly mediocre, sorry) photographers is a huge turn off. I WILL NOT work with anyone who considers me a bowl of fruit....unless it is Ocean Clark. Aug 15 06 04:49 pm Link I will gladly pay half to any model who gets some poor sucker to buy my work.. ![]() Of course most of the releases models want to sign say no sales, promotion only.. After all, everyone knows I'm a blatant pornographer. Aug 15 06 04:52 pm Link WG Rowland wrote: yeah, you gotta stop taking pictures of naked poodles....and what about Mosley? Didn't he contribute to your shoots for a while? What happened to him? Aug 15 06 04:54 pm Link Funny, how people think the model did all the work, I have to direct them, show them how to pose, how to express, and basicaly do there job. And after all this work, people think all I did was push the button. It goes both ways, there are idiots on both sides of the fence. The best thing is to be concerned with what you are doing and move on. You do not like a photographer or model or MUA or whatever, then get what you can nd move on... M Aug 15 06 04:55 pm Link Uh.. Someone asked to buy a print of him.. So I had to kill him to up my cut.. But I'd never do that to anyone else! Aug 15 06 04:55 pm Link Lapis wrote: Doctors recommend eating fruit every day. Aug 15 06 04:56 pm Link MalameelPhotography wrote: Oh wait.. Yeah.. It's all me.. Aug 15 06 04:57 pm Link Dear Lapis Would you be my "bowl of fruit"?! ![]() Just kidding of course...you can be anything you like as long as you pose. Cheers Wolf Aug 15 06 04:58 pm Link Wolf189 wrote: Here's the result of my 24 y.o. fantasy to be painted like a bowl of fruit carried on a platter into a room (and I wonder why I model....) Aug 15 06 05:09 pm Link Lapis wrote: This is so fun! A lot of work....I wonder if people will try to grab the bowl instead of the fruits! I am being silly. Aug 15 06 05:26 pm Link I like to eat fruit. Aug 15 06 05:31 pm Link DigitalCMH wrote: Another conservative out of the closet.. Aug 15 06 05:34 pm Link Don't test with mediocre photographers, and you won't have that problem. You shouldn't be working with photographers that know less about lighting than you do, unless you're getting paid, and unless you're getting paid to art direct, don't art direct. Test up. Lapis wrote: Aug 15 06 05:39 pm Link Some food or fruit, what ever you want to call it, for thought https://img2.modelmayhem.com/050908/16/ … 471d25.jpg Aug 15 06 05:41 pm Link Dave Wright Photo wrote: Yep. I don't work with photographers who know less about lighting than I do unless they are paying me. I think you can tell (hopefully) from my port I personally have no problem with the collaboration with artists aspect. I don't work with new photographers for free....I work testing only if they intrigue me and I want to frame some of their photographs and put them on my wall....so I usually work only with gallery/art/fashion photographers on a testing level. Aug 15 06 05:46 pm Link Credit? Do I get a card to go with it, I need some new gear. Aug 15 06 06:13 pm Link Good point Lapis but this seems to be the way of the photography world. I think this is part of the reason I started shooting more and more is because I have ideas and I want the credit and fame and money errm I want something??? for my ideas and hard work not the photographer who says it is a great idea and uses it to promote themselves and sell my brain as well as my body. That is why I am working more and more with long term projects where I trust I am not only a part of the begining of the project I will also be a part of the end result and gain credit as well as a paycheck. It does take a while to get there though new models can't just walk up to a photographer and say "Hey I get credit in your work as well right?" I think you have to prove yor self in this crazy art world a bit. Aug 15 06 06:14 pm Link I want a cookie.. ..or a collaborator with marketing skills. Aug 15 06 06:17 pm Link You know, it's always the lead singer that gets all the credit. Your first post seems to be a rant about personal experience, and then with the post I'm quoting here, you change it to a rant about the world in general. Why are you concerned with people who are mediocre and complaining? I try ignore those types of people as much as possible. Lapis wrote: Aug 15 06 06:18 pm Link i completely sympathize, ma chere. fortunately, i think anyone who takes even a few seconds to converse with you will realize that you are more than just a pretty face. but it is a sad fact that art models are often underappreciated. while most people consider photographers artists few give models that same compliment. i think that turning yourself into a piece of art is the greatest accomplishment. Aug 15 06 06:18 pm Link Lapis wrote: Did you notice the model did not get credited? I'd like to think of you more like a bowl of tangy HOT peppers. Aug 15 06 06:25 pm Link MalameelPhotography wrote: You need to start choosing better models then. I never have this problem. Aug 15 06 06:29 pm Link I wonder why there isn't a governing body parallel to Hollywood guilds rules about contribution vs. credits on films? Of course, you do have the option of buying/negotiating any rights/ownership/credit for a project. Sure the default is for the photographer to come up with the vision, but there's nothing keeping you from charting your own course. Aug 15 06 06:41 pm Link Fairly noisy thread here but I'll toss in my dime: Working with staff, models, stylists, etc who do not contribute to the effort attenuate its outcome. As the lensman it feels like swimming against the tide. When I have to spend 80% of my time trying to get an expression or pose, well heck, here's the check kiddo, call back when you know what your doing and out they go. I am proud to say that with some of my fav stuff all I did was "push the button" because the model knew what was expected, the assistant knew where to put the light, the stylist knew what to do - without any conversation, no yelling, just everyone working in harmony, working as a team. Synergy people, its all about synergy. IMHO, in the hot, stuffy, confining space of a small studio there has to be a connection felt between all especially when trying to shoot art. and... always, but always give credit where credit is due! When the team works as it should, everyone gets on the credit line. When it doesn't, there is no credit line. JM2C b- Aug 15 06 06:46 pm Link Iona Lynn wrote: Then you're working with the wrong photographers. Aug 15 06 06:50 pm Link Models always get credit from me, and as far as I know, I always get credit from them. It's a creative thing, I can't do it alone, unless I wanted to do landscapes and sunsets or something. I like people in a shot, though, so I need assistance. (guess I could shoot myself, but then no one would look at the photos....) Aug 15 06 06:54 pm Link If you have a good idea for a shoot, hire a photographer to shoot it and you own the images. You can bill yorself as model and art director. Aug 15 06 06:55 pm Link It is a tough answer. Lets say you have an idea, but it will require some serious post production creative work to make it a reality....if someone else spends 12 hours in post production, does the person who just thought of the idea but didn't make it reality still deserve credit? Look at the real world. A really great ad campaign....you might now who shot it. You might know who the model is.....but how often do you get to see who it was that created the idea behind the set and layout and the overall idea to start with? Basically, never. If you want the credit, do the who thing. Create it, shoot it and if you can, model in it. That way you know what a photographer goes through with the final product. If then the shot sucks, everyone always blames the photographer even if technically the image is good. That is why people credit us. They compliment us if a image is good and laugh at us when it is bad. Aug 15 06 07:02 pm Link Lens N Light wrote: This thread is giving me new insight into why i have no trouble finding models... Aug 15 06 07:03 pm Link BobPhotos wrote: So the two model names as titles in your port count as the credit line, or no? 8) Aug 15 06 07:03 pm Link caption credit line Aug 15 06 07:09 pm Link Lapis wrote: If you come to me with an idea... you have become a client: Aug 15 06 07:17 pm Link Lens N Light wrote: Oops... I took too long to reply and you did say the same thing in 2 lines Aug 15 06 07:20 pm Link We can add a movie metadata tag to photos. It'll be a crawling credit list - just like the movies. You know, the clapper loader, focus puller, caterer, drivers, electric company, camera company, flash card company, unions, bank and finance companies, insurance, accountant, electrician, plummer, carpenter, set painter, assistant set painter, building owner, makeup artist, toilet paper brand, shoe brands, clothes manufacture, escort service. Why leave anyone out? Aug 15 06 07:25 pm Link Credit goes to where credit is do. Some of my favorite shots have been because of collaborating with other artists: models, muas, bodypainters, stylist, etc. It all a team effort. Aug 15 06 07:27 pm Link |