Forums > General Industry > Downside of TFP

Model

Leila

Posts: 527

Worcester, Massachusetts, US

I'm not sure how many models have experienced this but I've had one TFP shoot that ended up being a complete waste of time. The potographer contacted me though OMP and the work on there page looked pretty good. Good lighting, good composition, and creative. So I went to the shoot and right away I knew it wasn't going to be good. Appearently this photographer was new (which is fine, everyone has to learn somewhere) but they didn't even know how to use their camera or lighting! The photographer kept having to ask other photographers in the studio to make things work. Half the time I was there was just me standing around wating for things to be set up or the photographer going off to ask for help. If your going to call yourself a photographer at least have some idea of what your doing. So anyway all the photos came out looking like shit and were of no use to me. I feel like I got ripped off. To me the whole point of tfp is so both people can benifit and add images to there portfolio. I would never have wanted these pics in my portfolio. This was pretty upsetting and has made me wary of working with new photographers again.

Jul 30 05 01:03 pm Link

Photographer

Tuesday Rene

Posts: 189

FORT CAMPBELL, Kentucky, US

He Leila

That's unfortunate. Did he give you any references to ask how his work was and whether they were happy with the final result?

Jul 30 05 01:20 pm Link

Photographer

BarryH

Posts: 864

Taipei City, Taipei City, Taiwan

That's always the danger of shooting with someone inexperienced & unfamilar.  It also works the other way.  I once shot a wannabe model who had a great natural smile, great shape, etc etc....  But once the camera came out she had either a deer-in-the-headlights look of panic or a fake beauty-pageant "smile".  And there's really no way of knowing until you shoot.

And yes, I DID try to put her at ease, distract her, & so on....  And it worked, as long as the camera was put away.

Jul 30 05 01:23 pm Link

Photographer

area291

Posts: 2525

Calabasas, California, US

Posted by Leila: 
To me the whole point of tfp is so both people can benifit and add images to there portfolio.

Seriously, is that what you expect?  It is afterall, Time For Practice.

A solid portfolio is built from actual work, not a get-together barter session.

Jul 30 05 01:39 pm Link

Photographer

LongWindFPV Visuals

Posts: 7052

Las Vegas, Nevada, US

Posted by Leila: 
I'm not sure how many models have experienced this but...

I can understand your disappointment. IMO, the newbee photog could've done more preparing prior to you showing up. So, don't take this experience and the new guy, as representative of what's to be expected all the time. It certainly wasn't that way when I did my first shoot with a live model. I had everything set up and my plan of action in my head and on paper and while waiting for the model to arrive, I kept reviewing the planned shots (poses/props/location in the immediate area) and camera settings I wanted to try.

Word to the beginning photographers, always treat your first set of shoots as if you were going to do a presentation with some high level corporate executive. Have your equipment set up and ready to go. Have a plan of shots and settings written on a worksheet. Also, it doesn't hurt to go over your worksheet with the model you're working with.

A little discipline is all it takes. The key thing is to set a level of expectation. Telling the model that you're a beginning photographer does not hurt at all.

Jul 30 05 02:11 pm Link

Photographer

Columbus Photo

Posts: 2318

Columbus, Georgia, US

What do you expect from TFP?  You take your chances.  But it sounds like it was a group shoot to boot.  That's what this guy knew; someone else would set his lights and stuff form him.

Paul

Jul 30 05 02:50 pm Link

Photographer

Posts: 5264

New York, New York, US

I agree Paul. 

Where is the rip off?  Bad experience that will make the model stronger but not a ripoff.

Ask for your money back.
That reminds me,  this place is great but I want my money back.

Where is my two dollers?  I want my two dollers.

(Marksora goes back to editing before he becomes fodder for such threads. $:-[

Jul 30 05 02:53 pm Link

Photographer

Rowen

Posts: 630

Gibsonia, Pennsylvania, US

Posted by area291: 

Posted by Leila: 
To me the whole point of tfp is so both people can benifit and add images to there portfolio.

Seriously, is that what you expect?  It is afterall, Time For Practice.

A solid portfolio is built from actual work, not a get-together barter session.

Hmmmm....do I detect a bit of elitism here?  What do you mean by this?  I've been a photographer for 35 years working both for fun and as a professional (I've been published on occasion too).  I do a lot of tfp with models.  I totally disagree that solid portfolio work has to be paid only (which is what you are implying).

-Rowen

Jul 30 05 02:59 pm Link

Photographer

area291

Posts: 2525

Calabasas, California, US

No, it wasn't elitism as you suggest.  Quality portfolio work does not neccessarily imply the work is paid or unpaid. 

The implication is that a get-together barter session with no intended purpose for imaging result beyond just the barter for imaging based on that get together is hit and miss for portfolio level quality.

Jul 30 05 03:06 pm Link

Photographer

urban prospect

Posts: 216

New York, New York, US

So basically pay you and we can get quality???

Jul 30 05 03:21 pm Link

Photographer

XtremeArtists

Posts: 9122

Jul 30 05 03:25 pm Link

Photographer

area291

Posts: 2525

Calabasas, California, US

Posted by urban prospect: 
So basically pay you and we can get quality???

No, be willing to invest in a purpose other than just seeking images for a portfolio.

Jul 30 05 03:26 pm Link

Photographer

urban prospect

Posts: 216

New York, New York, US

So can you define purpose for me...I am kinda dumb

Jul 30 05 03:37 pm Link

Photographer

area291

Posts: 2525

Calabasas, California, US

Posted by urban prospect: 
So can you define purpose for me...I am kinda dumb

I would be equally dumb if I were to attempt defining your purpose.  Only you can do that.  Smartly, too I hope.

Jul 30 05 04:14 pm Link

Model

Chris Winters

Posts: 45

West Hollywood, California, US

-- on another flavour:

doing TFP- but travelling a long way, and ---then possibly getting web images. Sometimes you haveta' chase down shooters for the larger images!

--4 months later... IF you get them.

ugh.

Jul 30 05 04:18 pm Link

Photographer

Christopher Hartman

Posts: 54196

Buena Park, California, US

Posted by Leila: 
I'm not sure how many models have experienced this but I've had one TFP shoot that ended up being a complete waste of time. The potographer contacted me though OMP and the work on there page looked pretty good. Good lighting, good composition, and creative. So I went to the shoot and right away I knew it wasn't going to be good. Appearently this photographer was new (which is fine, everyone has to learn somewhere) but they didn't even know how to use their camera or lighting! The photographer kept having to ask other photographers in the studio to make things work. Half the time I was there was just me standing around wating for things to be set up or the photographer going off to ask for help. If your going to call yourself a photographer at least have some idea of what your doing. So anyway all the photos came out looking like shit and were of no use to me. I feel like I got ripped off. To me the whole point of tfp is so both people can benifit and add images to there portfolio. I would never have wanted these pics in my portfolio. This was pretty upsetting and has made me wary of working with new photographers again.

When I first started a year ago, I made it pretty clear to the first girl I shot with that I was new.  The other "bonus" was that we shot outdoors so there was no lighting to know or learn.  All I had to do was experiment with camera angles and settings.

As it turned out, we got a lot of really good pictures and most importantly, she loved them.  Her enthusiasm for the photos gave me a huge ego boost.  Plus, this gave her confidence in ME and she was not only my first, but my second.

You're right, everyone has to start somewhere.  However, you should be at least moderately capable so that out of a few hundred shots, you ought to have at least a few keepers.  I think a 2% to 5% keeper rate should make any shoot effective (assuming you shoot 300 to 400 shots).

My f1st time: http://www.pbase.com/digitalcmh/may_8_2004
My 2nd time: http://www.pbase.com/digitalcmh/may_22_2004

And a couple recent ones:

http://www.pbase.com/digitalcmh/anna
http://www.pbase.com/digitalcmh/ts052905

Jul 30 05 04:26 pm Link

Model

Jeri Lynn Astra

Posts: 240

Pleasantville, New York, US

It's always a little hit or miss. I've had TFP shoots where the pictures came out better than some agency shoots, I've had TFP shoots that were a waste of time, energy, and makeup. It always sucks when you don't get what you expected or what you were hoping for, but I suppose that kind of an occupational hazard. Hopefully another TFP shoot will provide you with enough images to feel like all of the time put together was worth it.

I may be "glass half fulling it", but I always figure having connections never hurts. The guy might not be a great photographer now (or even an okay one), but he might have something else to offer down the line.

Jul 30 05 04:29 pm Link

Photographer

Merlyn Magic Photo

Posts: 4361

Long Beach, California, US

Posted by DigitalCMH: 

When I first started a year ago, I made it pretty clear to the first girl I shot with that I was new.  The other "bonus" was that we shot outdoors so there was no lighting to know or learn.  All I had to do was experiment with camera angles and settings.

As it turned out, we got a lot of really good pictures and most importantly, she loved them.  Her enthusiasm for the photos gave me a huge ego boost.  Plus, this gave her confidence in ME and she was not only my first, but my second.

You're right, everyone has to start somewhere.  However, you should be at least moderately capable so that out of a few hundred shots, you ought to have at least a few keepers.  I think a 2% to 5% keeper rate should make any shoot effective (assuming you shoot 300 to 400 shots).

My f1st time: http://www.pbase.com/digitalcmh/may_8_2004
My 2nd time: http://www.pbase.com/digitalcmh/may_22_2004

And a couple recent ones:

http://www.pbase.com/digitalcmh/anna
http://www.pbase.com/digitalcmh/ts052905

How could you help but get good images with a model like your first one :-) Looked at your port and you have some good work, but do you shoot non-asian models ;-) What beaches did you use for the shoots?

Jul 30 05 04:43 pm Link

Model

theda

Posts: 21719

New York, New York, US

It happens. Such is life.

Jul 30 05 05:09 pm Link

Photographer

LongWindFPV Visuals

Posts: 7052

Las Vegas, Nevada, US

Posted by theda: 
It happens. Such is life.

The quote goes perfectly with your Avatar.

Jul 30 05 05:14 pm Link

Model

StaciF

Posts: 876

New York, New York, US

Every shoot should be viewed as a learning expierence- look at your poses look what worked best for you(regardless of the techy stuff)-and bring that knowledge to your next encounter- trust me I am not an easy model to shoot- and I have had some wasted tfp sessions- but I have also had some phenomenal ones.
  And every shoot I do I seem to get better and better pictures, is it the photographers or is it me?-

Jul 30 05 05:18 pm Link

Photographer

Christopher Hartman

Posts: 54196

Buena Park, California, US

Posted by Merlyn_Magic Photo: 

How could you help but get good images with a model like your first one :-) Looked at your port and you have some good work, but do you shoot non-asian models ;-) What beaches did you use for the shoots?

True!  She was the perfect find for me. I only owned my D70 for 3 weeks before her and I met up.  of all the people I contacted, I never expected her to contact me because her portfolio was old and pretty crummy.  The reason was, she was kind of tired of modeling.  She agreed to shoot with me because of the few pictures I had posted (family members and a couple shots of Tia Kai that I took at a model event) and that I did not have a studio.  She hates all the flashing lights.

I have no idea how to direct a model either but she knew what to do.  Each time she heard my shutter click, she'd change her pose.  A few times I set my camera to continuous so when she did things like play with her hair I'd just run off 5 to 10 photos and then review them.

I am willing to shoot non-Asians.  Because I met up with Tia Kai and she helped encourage me and get me to events that she would attend, that got me into the Import Scene which is VERY Asian.  It kind of snow balls from there because I think Asian models see my work which draws them to me.  Non-Asians I think steer away from me thinking I only shoot Asians.  There are are non-Asians that have expressed interest in shooting with me, but they aren't local so that makes it difficult.

Most of my beach shots are in Dana Point near the Ritz Carlton.  Christine though, I shot more north off PCH at Crystal Cove.

Chris

Jul 30 05 05:36 pm Link

Photographer

Christopher Hartman

Posts: 54196

Buena Park, California, US

Posted by StaciF: 
Every shoot should be viewed as a learning expierence- look at your poses look what worked best for you(regardless of the techy stuff)-and bring that knowledge to your next encounter- trust me I am not an easy model to shoot- and I have had some wasted tfp sessions- but I have also had some phenomenal ones.
  And every shoot I do I seem to get better and better pictures, is it the photographers or is it me?-

Probably a lot of BOTH!

I also feel my repeat sessions with a model are much better than the first.  I think that is largely due to us being a lot more comfortable with each other and we're not only photographer/model but friends.

Jul 30 05 05:38 pm Link

Model

Leila

Posts: 527

Worcester, Massachusetts, US

Posted by area291: 

Posted by Leila: 
To me the whole point of tfp is so both people can benifit and add images to there portfolio.

Seriously, is that what you expect?  It is afterall, Time For Practice.

A solid portfolio is built from actual work, not a get-together barter session.

I'm not sure what you see the point of TFP is but if I'm standing there doing nothing half the time just to get crappy pictures, there is no point. I'ld prefer not to spend a whole day doing something for no perpose.

Jul 30 05 06:14 pm Link

Model

Leila

Posts: 527

Worcester, Massachusetts, US

Posted by Paul Ferrara: 
What do you expect from TFP?  You take your chances.  But it sounds like it was a group shoot to boot.  That's what this guy knew; someone else would set his lights and stuff form him.

Paul

It wasn't a group shoot or a guy for that matter. The girl didn't even know how to use her camera! At least read the directions to the damn thing before shooting with someone.

Jul 30 05 06:16 pm Link

Model

Leila

Posts: 527

Worcester, Massachusetts, US

Posted by StaciF: 
Every shoot should be viewed as a learning expierence- look at your poses look what worked best for you(regardless of the techy stuff)-and bring that knowledge to your next encounter- trust me I am not an easy model to shoot- and I have had some wasted tfp sessions- but I have also had some phenomenal ones.
   

I guess I'm luckily actually. Out of all the TFP I've done this was the only bad one. And staciF thats a good point. Pretty much the only thing the photos were good for were reviewing my poses and expressions. But I could have saved a total of 4 hours driving and just looked in a mirrow. Either way theres nothing I can do about it, except complain which I've obviously done enough of.

Jul 30 05 06:24 pm Link

Photographer

LongWindFPV Visuals

Posts: 7052

Las Vegas, Nevada, US

Posted by Leila: 

Posted by Paul Ferrara: 
What do you expect from TFP?  You take your chances.  But it sounds like it was a group shoot to boot.  That's what this guy knew; someone else would set his lights and stuff form him.

Paul

It wasn't a group shoot or a guy for that matter. The girl didn't even know how to use her camera! At least read the directions to the damn thing before shooting with someone.

Interesting how the Internet has us all programmed to some degree. I thought you were talking about a guy photographer.

Jul 30 05 06:26 pm Link

Model

Leila

Posts: 527

Worcester, Massachusetts, US

Posted by Joe K. Perez: 

Posted by Leila: 

Posted by Paul Ferrara: 
What do you expect from TFP?  You take your chances.  But it sounds like it was a group shoot to boot.  That's what this guy knew; someone else would set his lights and stuff form him.

Paul

It wasn't a group shoot or a guy for that matter. The girl didn't even know how to use her camera! At least read the directions to the damn thing before shooting with someone.

Interesting how the Internet has us all programmed to some degree. I thought you were talking about a guy photographer.

Yeah I found that amussing too. I purposly left the gender out in the first post cause I figured that would happen. Human nature can be very predictable at times.

Jul 30 05 06:48 pm Link

Photographer

JT Hodges

Posts: 2191

Austin, Texas, US

I have to agree with Area291, and StaciF.

I use a test shoot as a time to experiment with things that I will not do on a paid shoot (until I am good at it). Usually I will let the model know what types of testing I am doing. Sometimes they are great, sometimes they are crap.

I will test new cameras (that I don't know how to use), new lenses, new flashes, new lights, new lighting techniques, new assistants, new MUA's, and the list goes on.

As stated, images are not the only intended product of a test shoot. It's great when it works that way, but when it doesn't then you should review your work. Make corrections for the next shoot.

When I have a paying customer, I do not try out new things. I use the tried and true, to insure they get what they expect for their money. If you want to TFP for your portfolio, these things will happen.

Jul 30 05 06:52 pm Link

Photographer

Valkyrur

Posts: 1187

Nelsonville, New York, US

photographers also take the risk of shooting TFP with useless
models ...

Jul 30 05 06:59 pm Link

Photographer

C R Photography

Posts: 3594

Pleasanton, California, US

$ and Time.

Jul 30 05 07:00 pm Link

Model

Blackpearl1234

Posts: 6

New England, North Dakota, US

I dont know what you guys are talking about! All my shoots so far have been TFP and I must admit that I am pretty pleased with the outcome of my shoots. You have to search hard and good.

Jul 30 05 07:10 pm Link

Photographer

area291

Posts: 2525

Calabasas, California, US

Posted by Leila: 
I'm not sure what you see the point of TFP is but if I'm standing there doing nothing half the time just to get crappy pictures, there is no point.

I would agree with that to an extent, Leila.  I don't shoot TFP very often, but I have, and I do see the value it can bring if I can experiment for fine tuning a new method or perhaps help in direction for an incoming project.  That might include the use of new gear.  With that, comes the painstaking work of photography...and modeling, where downtime is a given. 

To the extent of agreement, is your photographer should have had some reasonable knowledge and direction for getting from Point A to Point B without it being too cumbersome, and still make the shoot interesting and worthwhile.

My intent has never been to create portfolio level work via a TFP shoot, but there has been lightning found in the bottle on more than one session.  If it happens, cool.  If not, no sweat.

The key is not setting those expectations too high for myself or the model, yet use the session to explore new areas that might be called upon in the future. 

The one thing I've yet to hear was the session was dull or not fun, even though the work might not be to a level worthy of the book...for either of us.


Jul 30 05 07:12 pm Link

Photographer

JT Hodges

Posts: 2191

Austin, Texas, US

I guess I should point out that my current avatar was from a TFP session.

Most of what I post on a web portfolio is from TFP, as paid shoots have use restrictions, or I do not wish to diminish the value of stock work.

Anyway, enough blah, blah, blah from me.

Jul 30 05 07:20 pm Link

Model

Leila

Posts: 527

Worcester, Massachusetts, US

Posted by starmodels: 


Most of what I post on a web portfolio is from TFP, as paid shoots have use restrictions, or I do not wish to diminish the value of stock work.

All the pics on my online portfolio are from TFP sessions, since the ones I was paid for have restrictions.

Jul 30 05 07:35 pm Link

Photographer

swavjusis

Posts: 15

New York, New York, US

Posted by area291: 

Posted by Leila: 
To me the whole point of tfp is so both people can benifit and add images to there portfolio.

Seriously, is that what you expect?  It is afterall, Time For Practice.

A solid portfolio is built from actual work, not a get-together barter session.

Now there is one I have to disagree with.

Some people will only do TFP (speaking for myself) for there artwork (based on principal).

If it is a commercial project that is another story, but if you think only paying assignments produce decent work - well then I guess this falls on deaf ears – and if all people believed such as you,  models such as those that worked for Toulouse-Lautrec , Picasso and other greats would have never lived on in the works.

Jul 30 05 07:50 pm Link

Photographer

area291

Posts: 2525

Calabasas, California, US

Swav,
It was duly noted in a follow-up regarding purpose.  My comment did not extend to commercial work or assignments for payment.

Jul 30 05 08:07 pm Link

Photographer

urban prospect

Posts: 216

New York, New York, US

Area you are a hardliner.

Jul 30 05 08:12 pm Link

Photographer

DJTalStudios

Posts: 602

Seattle, Washington, US

Posted by AstraDivaJ:
I may be "glass half fulling it", but I always figure having connections never hurts. The guy might not be a great photographer now (or even an okay one), but he might have something else to offer down the line. 

You have NOOOOO idea how many times I have tried to get this thinking into the heads of models and photographers alike. No one today, and SUPERSTAR tomorrow.

Imagine how crappy the agent who told Cindy Crawford she needed to get her mole removed if she ever wanted to be anyone in the business feels right about now? LOL

Jul 30 05 08:15 pm Link

Photographer

Hugh Jorgen

Posts: 2850

Ashland, Oregon, US

TFP shoot



Jul 30 05 08:19 pm Link