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How much should i charge per hour?! Help me!
phcorcoran wrote: Whence commeth these gems? I see nothing in your profile to indicate that you have ever booked professional models for major national clients. I would think you ought to have some experience in the field before telling an industry professional how it works. Mar 10 06 06:57 pm Link First, I don't think Alan's response was a rant. I often hold a very different view from his but, I respect his answers because they are made with sincerety and a perspective that his borne of his experience and the segment of the industry that he "lives in." Where I differ is in my view of what modeling is, and will be, to 99% of the models who post on MM, OMP and the like, is in what their future will be. While there are models who will fall right in to major gigs, and there may be "a lot" of them when viewed in a "micro world," in the bigger picture damn few will be so lucky. And that is precisely why an internet model with no book should not be following in the footsteps of similarly ill advised models with a high "demand quotient." They just doom themselves to failure before they even start because no one is going to pay them the inflated rates that seem to be what these threads are about. I'll go back to my previous point in regard to demand. If a model just gets as lucky as can be, and lands that GM shoot, she is in demand - for some reason, someone wants HER, not the next model. In such a case, damn straight - get paid! Hell, I'll carry her stuff and cheer her on! I like to see nice things happen to nice people! It's a great dream to have and once in a while it does happen. For the other 99.9% of the opportunities that are likely to present themselves, I say get real, get paid a little on a consistent basis, and make sure that you don't blow chances to be seen by someone who just might help you go to that next level. And, btw, I am not just blowing smoke - I have already had a model that was shot by little ole me - the sort of GWC with a bit more money to buy photographic toys than the true GWCs - who was approached by a national publication based on photos of mine. While she had to turn down the situation because of something in her personal life, and there is no guarantee that she would have made the final cut, the point is that she "got a bite." Sometimes you get the "E ticket ride" and sometime you don't but, you will never even get the shot at it if no one knows who you are. All of this said, I am not about model bashing. I really do want most to succeed and that is precisely why I hope that they don't do things that pretty much guarantee failure. Mar 10 06 09:05 pm Link TXPhotog wrote: J Merrill Images wrote: Thanks for the comments. Interestingly, all three of us are saying the same thing, but we are looking at the same issue through different windows. First, J. Merrill, you and I couldn't agree more. Most models aren't going to make it. That has nothing to do with them being good or bad people, cute or ugly, the fact is that the industry is selective and only a few make it. So you and I don't differ here. If becoming a successful model was easy, everyone would do it. Mar 10 06 11:59 pm Link Experience is simply the name we give our mistakes. --Oscar Wilde Important for video work and indeed the reason for rehearsing. In still photography we simply snap another frame. In modeling, all things considered equal in "Look" the experience factor may come in to play when one can present a more compelling body of work in the review process of the portfolio. However, difference in payment becomes availability and model / agency determination of worth / risk in accepting the project. A model with a large body of work that shows vast experience will probably be presented more opportunities than someone without, if for no other reason than factors such as client network and a larger sphere of influence. The more experienced model is afforded the luxury of additional opportunity before them due to that, more than merely having "experience." Thus, picking and choosing projects and payment amount become factors relating to project/reward, not simply because they are more experienced. Additionally, experience level in presenting a wide variety of products and services in modeling projects are what makes that availability/opportunity greater to the model in choosing higher paying projects/rates. There are indeed scenarios where experience in presenting a product or service set becomes a valuable asset. However, as been said by others, the greatest weight in the client decision will go to availability and budget, not on individual experience of the model. Given the all things considered equal in "look" quotent and the budget presented, it will go to who is available regardless of the experience factor. That could, or could not be, the more experienced model. Typically that is a model / agency decision, not a client decision. The experienced model with more opportunity before them will first and foremost ask, "Is the project worth it?" Mar 11 06 09:12 am Link |