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Is it an ethical conflict...
...for makeup to be used in art photography? Second question: If makeup is used, can a photograph of the subject using it still be called a "portrait?" -Don Oct 14 06 11:21 am Link Where on earth did you ever hear that,it's your photograph and Your "art",you can do what ever you please.What are the "art police" going to come get you? Oct 14 06 11:25 am Link I understand what you mean and where you are going for purity's sake, but I think the anwser to both questions is "yes' ~ In a way, for art photography, one could argue that makeup has the same weight as location, props (you know, all those plaster columns and see through pieces of fabric that you and I use) etc... The definition of a portraight could be much more rigid and demand natural. But what is natural, you know? If my subject runs his or her hand through their hair there is an alteration. At what point do you cut off "okay, just be natural?" At what point have you compromised that? Perhaps even when they see you with the camera - everything changes then... Great questions, though, Don. Thinking way too hard before my second cup of coffee. Oct 14 06 11:28 am Link It's called makeup "artist" for a reason. Oct 14 06 11:30 am Link e-string wrote: Third question: If a makeup "artist" contributes, then who owns or was responsible for the final art? Oct 14 06 11:31 am Link D. Brian Nelson wrote: 3: I know you know the official answer to that. Oct 14 06 11:37 am Link Every pro portraitist I know uses a mua. Might not be a true documentary likeness, but what portrait client wants the truth about themselves? Think you need a good night's sleep. Oct 14 06 11:46 am Link stan wigmore photograph wrote: Clearly you underestimate methods of the artsier-than-thou... Oct 14 06 12:13 pm Link D. Brian Nelson wrote: Actually the correct answer is, it depends. It depends on the concept, what the 'artist' is after. As I know you are aware, much of the idea of no makeup for artistic shots stems from history. A couple of generations ago, if a photo was nude and was not shot on a clean unobstusive background, if any makeup or any sort of prop was used, it was considered something other than "art". The classic "figure study" involved absolutely nothing other than the model. Makeup or a prop made it either a portrait, glamour or porn. Art has evolved and in most circumstances that is no longer true, though some art gallery curators disagree with me about this! Oct 14 06 01:07 pm Link D. Brian Nelson wrote: We covered that to a stomach churning non-conclusion in a massive thread last year. The closest answer we arrived at is that where the make-up is EXTENSIVE and INDEPENDENTLY, CREATIVELY, and UNIQUELY EXPRESSIVE then the MUA - MAY - have a claim to an underlying copyrightable work... though you, the photographer, probably own the copyright to the images your copyright MAY not be inclusive of the MUA's work... causing some interesting questions if the you, the photographer, want to exploit the photographs in almost any way you can think of because of the underlying copyright... nor can the MUA independently exploit the photographs, either, because of your copyright. The answer is fairly straight forward - in simplist terms - by cross licensing to each other. Oct 14 06 03:01 pm Link D. Brian Nelson wrote: Would context and intent need to be considered? Oct 14 06 03:10 pm Link I once worked with a man that had been trained by Ansel Adam.He did wonderful landscapes and told me there were those that did not consider it ethical if anything in the photograph had been changed by the photographer.Such as a beer can picked up and removed from a beautiful location,that meant the photographer was a fraud in their eyes even if the photo was amazing. My question to him was if the location was wonderful to begin with what difference does it make if you pick up the beer can.Believe it or not that would still be considered unethical,also very dumb in my opinion. Oct 14 06 03:26 pm Link Oct 14 06 03:31 pm Link |