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Headshot lighting Solution needed
Some of the best light for head shots is indirect sunlight or diffused window light. It is continuous and encompassing enough to give your subject a lot of freedom. This comes in handy when your subject isn't a professional model.  ___ ___ ___ ___ Peter Hurley's solution is a sqaure combination of Kinoflo banks _______________________________________________    But a 2 panel solution also comes close, and will likely require a little more retouching than the 4 panels  I'm looking for a solution that is affordable and a lot more portable. Litepanels has a large Cinema grade LED ring light http://www.bhphotovideo.com/c/product/5 … ystem.html But it cost over $8k Anyone have any affordable and portable suggestions? Aug 08 12 08:32 pm Link instead of those setups.i would try 1 Beauty Dish high above,slightly tilted with a reflector in the botom for fill i think it looks more modern and less bussy ,,look at Sean Armenta Beauty Lighting http://www.facebook.com/pages/Oscar-Par … 143?ref=hl  Aug 08 12 08:49 pm Link What exactly are you trying to achieve? Your examples are all quite different. Aug 08 12 08:54 pm Link -Ira wrote: I forgot people don't read. The first image is window light. The next images are of Peter Hurley's setup and his images. His images aren't very different from each other. Aug 08 12 08:56 pm Link Oscar Partida wrote: I like the beauty dish look. The problem is that your subject won't have as much room to maneuver. Also I want continuous light so that I won't have to wait for flash to reach its needed power. Florescent and LEDs maintain their output and color throughout the shoot. Not even the sun can do that. Aug 08 12 09:00 pm Link I light high in Umbrella or Halo, reflector below, one lite panel on each side. If you want add a hair light. Nancy Brown described it in one of her books and was what she used for almost all head shots. Works for me  Aug 08 12 09:05 pm Link I use natural light, most paid head shooters use HDMI's or LED on budget. I go outside and get the natural tones easily, no reflectors needed. Also depends on the style your going for, fashion, beauty, actor or business. Aug 08 12 09:07 pm Link  Aug 08 12 09:08 pm Link Hmm, try taking a Beauty Dish, with a diffusion sock, and set it about 15 feet away from your subject. You want it to be slightly angle down on the subject so you can bounce light to avoid harsh shadows under the chin. This can be a bit tricky, depending on what you want, but for this I would try to position the beauty dish so the center was slight above the subject's forehead. The trick here is to buy some poster boards that have a glossy surface, and put them all over the floor, and have your subject stand on them. Use 2 32-inch reflectors, slighty angled up toward the subject, positioned at 45 degree angles in front of the subject's left and right side. If you want to get fancy, you can use some California Bounces as side reflectors, and lightly fire a strobe through them. Shoot your subject at f/2.2 - tweak, and adjust your lighting. I hope this helps. The secret is killing the shadows under the jaw. So lot's of white stuff on the floor! Aug 08 12 09:13 pm Link Downward angle, natural light and a 4'X3' white board angled towards the chin, just below the chest area. Aug 08 12 09:23 pm Link Large diffused modifier above, v-flats on both sides enveloping the subject, reflector below, maybe another pointed behind the subject bouncing off all the white surfaces of the v-flats for fill. That's where I'd start... Aug 08 12 09:48 pm Link 2 Elinchrom Ranger Quadra Head A To Go Set 2 20x51" Rotalux Strip Softbox 2 Elinchrom Ranger Quadra Reflector Adaptor for EL Reflectors $3,608.88 or http://cheesycam.com/ for some cheap continuous Aug 08 12 09:49 pm Link The answer you seek might be here. If not, I'm sure you'll find something useful. https://www.modelmayhem.com/po.php?thread_id=96872 Aug 08 12 10:04 pm Link Erika Barker wrote: you sure? :-P Aug 08 12 10:15 pm Link how about using a window and white piece of foam from home depot for a reflector....  Aug 08 12 10:28 pm Link The Glamour Cartel wrote: What about something like this? Aug 08 12 10:29 pm Link The Glamour Cartel wrote: Totally agree... and I see sooooooo many photographers using loads of headshot lighting overkill... Aug 08 12 10:42 pm Link The Glamour Cartel wrote: For headshots this is most important. Forget anything that requires the subject to be fixed in a certain position or facing a certain way. You want them to move around all over the place so they can relax and don't get tense. Also, you need an easy light source that you can set and forget, so you can concentrate on them and not be fiddling with equipment. Aug 09 12 02:51 am Link Read Bethany's comment under this pic on the MM port... and I'm not the arguing type...   The solution?... shooting between double makeup mirrors...  Aug 09 12 03:41 am Link There's a simple but very effective headshot setup that I learned at one of JT Smith's Supershoots workshops last year and have used for many of the headshots I've done in the past 11 months or so. Two large softboxes arranged in an inverted V shape (they come together and form a point at the top). One large Photoflex-style reflector below and slightly in front of the softboxes - about waist level on the model and angled back slightly toward the model. The model stands under the V. You can turn the softboxes to feather the light or change the ratio (which normally is 1:1) - or just leave them in the basic V as in my avatar (below). Simple, no?  Aug 09 12 04:04 am Link Homemade solution:   Camera Nikon D800 Exposure 0.006 sec (1/160) Aperture f/1.4 Focal Length 85 mm ISO Speed 100 Aug 09 12 04:26 am Link nvm Aug 09 12 05:07 am Link If you are looking for a Peter Hurley look (which I personally don't like) you can use one strip light on each side of the camera and your background will depend on what you want. By the way my profile pic is window light Aug 09 12 07:35 am Link Oscar Partida wrote: This... Aug 09 12 09:29 am Link Mark Laubenheimer wrote: Nicely done, cost effective Aug 09 12 12:42 pm Link I took these pictures outdoors. I stood the subject under a building awning just at the edge of the shade. It's some of the most diffused light possible. He's also getting sunlight bouncing off of the sidewalk for fill. Peter Hurley's lighting is similar to this with Kino's. If I could find an affordable and portable way to get this type of light continually in studio i'd be golden.   Just in case anyone is curious [ISO 100 f2, 85mm on a 20D] I wonder if LED Fresnels would be cool enough to put softboxes on. In which case I'd still have to worry about attaching them. A Fresnel through an umbrella may do the trick but i'm sure there'd be a hot spot to contend with. Sep 03 12 08:31 pm Link I use a ring flash I rigged that cost about $20.00. Here's the DIY thread: https://secure.modelmayhem.com/po.php?t … age=1#last Sample:  Sep 03 12 09:34 pm Link  Pure window light. sitting, so the light would trend from above. Sep 03 12 11:33 pm Link  A soft-box parallel to a reflector. Model sandwiched in between but placed toward the back of the sandwich, so that most of both surfaces were in front of her. Sep 03 12 11:35 pm Link  She's facing straight at a window. Sep 03 12 11:36 pm Link I love natural light but sometimes there just isnt enough light coming through the windows. natura light  beautydish  id love to see a solution on making studio light look likewindow light! Sep 04 12 01:08 am Link i used 4 of these in the peter hurley style for this headshot of amelia http://www.ebay.com/itm/Digital-Photogr … 630wt_1165  for my avatar i used one beauty dish above and a silver reflector under, chest high Sep 04 12 05:00 am Link K I S S P H O T O wrote: this is the closest i have found for the window light look, at least in my small studio Sep 04 12 05:05 am Link Here is my attempt with a setup inspired by Peter Hurley's lighting :  I used 6 speedlights, a trio of YN-560, one YN-565 and a pair of SB-900. My suggestion for an affordable and portable suggestions is setting up a wall of 4 4x8 white foamcore panels behind you and bouncing a quartet of YN-560, 50USD each, with the wide angle diffuser deployed, or set at 24mm. You will need another pair of YN-560 for the background. A continuous alternative that's affordable would be work lights from Home Depot. Sep 04 12 05:22 pm Link 98% of my stuff is window light Sep 04 12 05:24 pm Link |
